Vintage Collectible Designer Jewelry
Collectors' Archives

This page is an online reference of dates, marks, and descriptions of notable Collectible Jewelry from The Glitter Box Archives ITEMS NOT FOR SALE

Designer Signed Dedicated Pages

Coro Corocraft	Miriam Haskell	Hobe	Schiaparelli
Schreiner	Trifari	Italian Collection

Mexican Silver Dedicated Pages

Los Castillo

Margot de Taxco

Salvador Teran

Sigi Pineda

Victoria Taxco

*To view pages dedicated to these designers, click on the above buttons


Designer Signed Costume Jewelry Archives

JAKOB BENGEL

BRACELET, 1930's, German Machine age. The Jacob Bengel Company, 1873 to the present, from Oberstein Germany, now Idar-Oberstein. During the 1930s the company focused on, and became, one of the finest producers of German Machine Age Jewelry, echoing some of the tenants of the Bauhaus. A well illustrated article from the magazine, Vintage Fashion and Costume Jewelry, Vol. 4, 2004, by Mary Packer, discusses the  company and the Historian, Margarete Handle, who cracked the riddle of who manufactured this exciting Jewelry. Examples of this jewelry are referrence under German Jewelry in the book "European Designer Jewelry", by Ginger Moro, pg. 126. Also, referenced in "Art Deco Jewelry" by Christianne Weber. Cold painted Enamels in Blue and Black on Chrome Brickwork Chain.  Measures 7" x 1-5/8". #2355

JAKOB BENGEL

NECKLACE, c.1931-1932. Machine age design in Galalith and chrome, a distinctive Bengel Design. As with all Bengel, this piece is not marked. Ref. Vintage Fashion and Costume Jewelry Magazine, Vol. 14, No. 4, 2004, pgs. 6-11; Christianne Weber's 'Art Deco Schmuck', pgs. 130, 131, 152. Spring ring clasp. Measures 18". Very Good Condition.  #2594

JAKOB BENGEL

NECKLACE, c.1931-1932. Machine age design in Galalith and chrome, a distinctive Bengel Design. White disc layered over a larger Black disc with a smaller black disc and a chrome accent, and half discs moving up the chain.  Barrel clasp with square tub beads. Rich yellow and black wedge shaped beads. Chain and shape and colors of  galalith can be seen in the book, "ART DECO SCHMUCK", by Christianne Weber. And,  Ref. Vintage Fashion and Costume Jewelry Magazine, Vol. 14, No. 4, 2004, pg. 6-11.  As with all Bengel, this piece is not marked. Measures 18" with the larger disc measuring 1-1/8". Very Good Condition.   #2716

LUCIANA BORBONESE TURIN

NECKLACE, c.Early 1960s-+. Glass and plastic, Glitz and Glitz; so, Italian, so, so, so....  Associated with Galitzine, Valentino, Ungaro, Saint Lauren, and Ungaro, this is as good as it gets. Marked with the 1960s+ metal oval. Measures 21". Excellent Condition.  #2604,

CIS

BROOCH, c.1950s, Countess Zoltowska , nicknamed Cis. Known for hand-painted stones and natural stones, set in crown settings. Although Hungarian born, she married a Polish Count and traveled to Paris where she established herself among the haute couture designers of her day. Hand construction, 24k plating over white metal. This piece is "unsigned", as was most of Cis' work, and is identified by stones, settings, and construction. These exact stones in a very similar setting can be seen in Ginger Moro's book, "European Designer Jewelry", page 71. Measures 3-1/8" x 2".  #2526

COPPOLA e TOPPO

BRACELET,  Woven black faceted crystals with a twist and snap closure. Marked Made in Italy by Coppola e Toppo. Measures 7-7/8 x 1-1/2". Very Good Condition. #2657

COPPOLA e TOPPO

BRACELET, Woven Blue, Aqua, and Green faceted Crystals  mounted on a brass " V" shaped form.  Marked Made in Italy by Coppola e Toppo. The length of the 'V' measures 3-1/8"; will fit a large wrist but can be squeezed down a bit to fit smaller wrists. Very Good Condition. #2714,

COPPOLA e TOPPO MIKY MARK

NECKLACE, c.1949, Early, Early, Rare. All Handmade, Rich Red Coral-colored beads encrusted on half circle forms with Turquoise bead chain. Marked Miky, Made in Italy. Miky is the first Coppola e Toppo mark c.1949, named after Lyda Coppola's dog. See references for the Miky mark and materials in the book "Amazing Gems", by Deanna Farneti Cera, pg. 162 and 163. Measures 16" approx. Very Good Condition.  #2498,

COPPOLA e TOPPO

NECKLACE. Over the Top Collar style Necklace with rows of faceted Red plastic beads and attached Florets made with Clear rhinestones and Pink plastic faceted beads. Thickness measures 3-3/8". Length, from last bead chain loop to hook, 18". Marked Made in Italy by Coppola e Toppo. Very Good Condition. #2414

COPPOLA e TOPPO

NECKLACE, 1950s, Rare. Long dangles of graduated Green Beads; Wear it loosely; it's Over-the-top. Snug it up into a choker and it fans and flares out; that's really over-the-top! Marked Coppola e Toppo, Made in Italy. Measures 14" to 17", with hook closure and chain, approx 3-3/4" width. Excellent Condition.  #2778

COPPOLA e TOPPO

NECKLACE, 1948 to 1951, Rare.Luscious Graduated faux Pearls with faceted Pale Grey Crystals, accented with Iridescent seed beads. See similar designs in Ginger Moro's book, "European Designer Jewelry", pg. 199. Marked Coppola e Toppo, Made in Italy. Measures 19" to 21-1/2" with hook closure and chain. Very Good Condition. with a couple of pearls having small barely noticeable nicks. #2449,

COPPOLA e TOPPO

NECKLACE, (or 2 BRACELETS), and EARRINGS. Sophisticated clever design with graduating colors from Emerald Green to Clear Crystals. The necklace can be separated into two bracelets that drape on the wrist and top of the hand. Marked Coppola e Toppo, Made in Italy. Necklace measures approx. 15". Clasps 5/8". Earrings 2" x 1". Very Good Condition with typical brass patina on metal.    #2905 Clasp

COPPOLA e TOPPO

NECKLACE, Lovely draping design in graduated topaz faceted crystal beads. The gather in the center, as well as the bar decorations, have light and dark green, rose, and smoky topaz faceted crystal beads. Marked Coppola e Toppo, Made in Italy. Necklace measures approx. 15-3/4" from clasp to last jump ring. Length of bars are 2"   Very Good Condition with typical brass patina on metal.    #2953 Clasp

CORO CRAFT STERLING

PERSIAN MAN ON HORSEBACK, 1944 designed by Adolph Katz. The man has Brown enamel skin with Blue and White enameled clothing on a pave' studded Black enameled Horse. The man is holding and umbrella over his head for shade.  Figural has yellow, green, red, and gold highlights,  Marked Coro Craft Sterling on an applied plaque. Measures 2-1/2" x 2-5/8". #2241

CORO

GORGEOUS PEACOCK BROOCH, C. 1942, Adolph Katz. Gold Plated with Very detailed Enameling and pave' rhinestones. The Peacock is perched on a Golden branch. Featured in "A Tribute to America", pg. 73, by Carla and Roberto Brunialti. Colors of enamel include, Lavender, Plum, Blue Gray, Yellow Green, Green, and Pale Lavender Gray. Measures a Huge 4". #2388 Patent 1942

CORO CRAFT STERLING

STERLING ENAMEL BROOCH, Lovely Enameled Orchid in Sterling with a Gold Overlay. Enamels are Lavender, Cream with Light Orange Highlights. Marked Coro Craft Sterling Measures 3" x 2-3/8". Very Good Condition. #1985 AD 1944

CORO CRAFT STERLING

CORO CRAFT STERLING, BUMBLE BEE DUETTE and EARRINGS. Black and Yellow Enamel,  Gold over Sterling and  Clear Pave' rhinestones. Duette measures. 3" x 1".  Earrings 1" x 5/8". Very Good Condition with Small enamel loss and very slight gold loss on The Duette. Earrings in Very Good Condition.   #1900

ETIENNE DAVID

SILVER and ENAMEL PENDANT, c. mid 1920s. Rare. Little is know about this designer, except that its location was along the rue de la Paix in Paris, the famous avenue of Jewelers. The jewelry was made in both Gold and Silver. The Silver work references Art Deco styles with Geometric designs, stylized Flowers, and wonderful color combinations in well crafted Enameling. When an example does appear at auction, it commands high prices. Marked with the conjoined backwards E and D. Etienne David's work is referenced in Cera's 'Amazing Gems', and Moro's 'European Designer Jewelry'. Measures 3" x 1". Very Good Condition. #2637

WILLIAM de LILLO

NECKLACE and EARRINGS, A Magnificent Centerpiece Design, showing the strong influence of ROBERT CLARK, in long Goldtone Strands of Beads sweeping across and dangling from a large Glass Faux Amber Center Stone. At the end of each Goldtone Strand is a long Glass Faux Amber Drop. Goldtone beads are continued to the Clasp. For De Lillo examples and recent sales info, see Doyle's Auction, COUTURE, TEXTILES AND ACCESSORIES, November 16, 2006, Lots 1306 through 1322: Doyle New York Marked DeLillo in script on an oval hang tag. Centerpiece measures  7" x 2-3/4". Necklace 17". Earrings  1-1/2. Very Good Condition. #2117

CHRISTIAN DIOR GERMANY

NECKLACE and EARRINGS, c. 1966. Rich and Luscious design in large square shaped Sapphire faceted rhinestones, surrounded by Clear faceted stones, set in silver tone. Marked, stamped Christian  Dior © Germany 1966 on necklace. Necklace measures 16-1/2" x 5/8" Earrings measure 5/8" x 1/2" Very Good Condition. #2819,

STANLEY HAGLER

NECKLACE and EARRINGS, TUTTI FRUTTI! Bright and Sunny, very unusual Necklace in strands and strands of Molded Beads,  Bells, and Leaves in hot Tropical Colors. Pale Yellows, Greens and Pinks. Goldtone filigree findings. Necklace Measures 19". Earrings Measure  1-1/2". Signed in an Oval 'Stanley Hagler N.Y.C' , (This is the older no dot after the 'C' mark). #2077

HAR

GENIE BROOCH with CRYSTAL BALL, Expressive full figured Genie; his Cap and Vest are accented with Clear Pave's and his pants have Stars with Blue Pave's. Inside the Crystal Ball is a large Red Cabochon. This Genie Pin is featured on page 198 of Cera's 'Jewels of Fantasy.' Marked HAR ©. Measures 2-3/4". Very Good Condition. #2310

HAR

DRAGON NECKLACE and EARRINGS. Dragon Tales.  Moving, Crouching, and Breathing Fire in this Animated Dragon design. Highly textured skin, accented in Aurora Borealis Blue and Red rhinestones, with a large textured Dragons Breath Stone. Green Enamel is splashed on the skin, with the gold tone highlighting the Scales, Horns, Spine, and Fangs.    Marked HAR ©. Mecklace measures 15", drop measures 3-1/2" x 2". Earrings 1-1/2" x 1-1/4" Excellent Condition.   #2848

MIRIAM HASKELL

WRAP BRACELET, c.1930s. An Early Frank Hess Design of Pale Pink Beads sewn onto a Silk Mesh Cord. The Pink Beads in centerpiece are Flower shaped and are wired onto a lovely Goldwashed flower metal form. Clear Rhinestone accents around. Unsigned. A Variation is in Harrice Miller's Book, Costume Jewerly, Second addition, pg.127. Purchased from Haskell Head Designer M. Petronzio. Unsigned. Measures, adjustable small to medium wrist, 2" at front. Very Good Condition. #2076

MIRIAM HASKELL

BRACELET, c.1960s, Robert Clark design. Large translucent Blue round faceted glass beads, tucked under gilt metal leaves that are traced with blue rhinestones. Multiple chains and rhinestone chains complete this sophisticated design. Additional pieces to this line can be seen in an article " Miriam Haskell Jewelry 1926 to the present", on the below link: http://www.morninggloryantiques.com/JewelChatHaskell.htm Marked on the clasp in an oval in a cartouche Measures 7-1/2". Center motif 1-1/2" round. Very Good Condition #2807

MIRIAM HASKELL

BRACELET, A wonderful display of Robert Clark's talent in this  memory wire bracelet in Turquoise Beads and Art Glass Stone set  Russian Gold Stampings. Notice how the Large Art Glass Stone is wrapped in the bent gold leaf stampings, and on the other end of the bracelet, how the bead is tucked deeply into the gold stampings, creating height and airy spaces. This bracelet matches the brooch and earrings shown on page 201 of "Miriam Haskell Jewelry", by Cathy Gordon and Sheila Pamfiloff.  Large Stone with stampings measure 1".  Will fit almost any wrist size. Marked Miriam Haskell on an applied oval. #2265

MIRIAM HASKELL

BROOCH and EARRINGS, A Marvelous Robert Clark design with wonderful Turquoise Art Glass Stones and 3 Dimensional Russian Gold Stampings. Shown on page 201 of "Miriam Haskell Jewelry", by Cathy Gordon and Sheila Pamfiloff. Measures 2-1/4", Earrings 7/8".  #2173

MIRIAM HASKELL

BRACELET, c. late 1940s-early1950s. An Early Frank Hess Design of Antique Silver Nasturtium Leaves, smothered by Rhinestone Florets of Clear Sparkling Baguettes with large central Brilliant Rounds, using Paper Clip Chains. The Box Clasp is decorated with a large 5 petal  Flower with a central Floret. Purchased from the Haskell Archives of former owners Eleanore and Sanford Moss. Displayed on page 180 of "Miriam Haskell Jewelry" by Cathy Gordon and Sheila Pamfiloff. Marked with the embossed oval on the back of the clasp. Measures 7", Motifs including Clasp measure 4". Excellent Condition. #2146

MIRIAM HASKELL

BRACELET and DRESS CLIP, c.1940. An early Unsigned Frank Hess design. Black Silk wrapped cord bracelet and coiled cord dress clip with carved green wood beads, large Tear shaped Wood beads and little Star shaped Wood beads in Green, Red, Blue, Yellow, and Brown. Similar coiled pieces can be see in the Water Color Section of "Miriam Haskell Jewelry", pg. 104 and 105, as well as similar wood pieces on page 144 and 145. The bracelet has the button closure. Dress Clip has the WWII perforated plastic back. Clearly from the same line with very slight variation in size and color of the wood beads on the bracelet and clip. Unsigned. Bracelet measures 7-1/2" x 2-1/2". Dress clip 3-1/8" x 2". Excellent Condition. #2328   DRESS CLIP

MIRIAM HASKELL

BRACELET, c. late 1950s. Periwinkle and Pale Amethyst faceted crystal beads with a large Amethyst colored rhinestone set in a Violet rimmed glass cup. Surrounding Rose Montes' are Aurora Borealis. Marked with the embossed oval on the back of the clasp. Measures 7-1/8" with the center motif measuring 1-1/8".  Excellent Condition. #2576

MIRIAM HASKELL

BRACELET, c.1930s. Early unsigned Frank Hess design. Woven metal memory wire cords, with large faux Blister Pearl center motif. Brass leaf and Cone stampings. Aqua beads, laced to the  foundation.  Very secure good condition. Front motif measures  3-1/2" x 1-1/2" #2139

MIRIAM HASKELL

WRAP BRACELET, 1930s. Turquoise small and large round beads, flat speckled petal shaped fancy beads with gilt flowers on silk wrapped memory wire cord.  Additional pieces to this line can be seen on page 119 in the book, "Miriam Haskell Jewelry." by Cathy Gordon and Sheila Pamfiloff. Unsigned. #2239

MIRIAM HASKELL

MEMORY WIRE BRACELET, c.1940s, unsigned.  Lovely  gemstone colored beaded bracelet with clear pave'  rhinestones on silver tone leaves.  Beads are Red, Blue, and Green with a Luscious center motif. Similar bracelets can be seen  be see on pgs. 153 and 157 in the book "Miriam Haskell Jewelry", by Cathy Gordon and Sheila Pamfiloff. Mofif measures 2-3/4" x 1-3/4". Width of the beaded band is  approx. 3/4". Rare Excellent condition. #3087

MIRIAM HASKELL

BRACELET and DRESS CLIP, c.1940. An early Unsigned Frank Hess design. Large Art Glass beads and lacy gilt metal stampings. Memory wire wrapped in metal mesh. The clip has the WWII perforated plastic back. Featured on page 162 in "Miriam Haskell Jewelry", by Cathy Gordon and Sheila Pamfiloff. Clip measures 2" x 2". Beads are approx. 5/8" wide. #2109 BRACELET

MIRIAM HASKELL

BRACELET, Early Frank Hess unsigned c.1930s. Memory-wire bracelet with 5 strands of Emerald-green beads with a Central Motif of White metal pave rhinestone leaves and a large cluster of Emerald-green beads. Central motif measures 2-1/2" x 1-1/2". #2179

MIRIAM HASKELL

BRACELET and EARRINGS, Post WW II. An excellent example of the Transition Period, where Haskell Jewelry moves towards the 'Signature Look' and signing of the jewelry. The clasp is a smooth rectangle box clasp with a filigree base where the gilt stampings, chains, and beaded motif are attached. The Pink Bead strands are back strung and have metal spacers. Purchased from the Eleanore and Sanford Moss Archive. Featured on page 165, in the book, "Miriam Haskell Jewelry" by Cathy Gordon and Sheila Pamfiloff. Unsigned. #2151

MIRIAM HASKELL

BRACELET, c.WWII years. Unsigned Frank Hess Design with Red Bakelite discs with Red glass bead centers sewn on to silk cords. References in "Miriam Haskell Jewelry", by Gordon and Pamfiloff, pg. 150. Measures 8" x 2-3/8". Very Good Condition. #2588

MIRIAM HASKELL

BAKELITE DRESS CLIP,  c.WWII Early 1940s, Unsigned Frank Hess. Round disc-shaped beads in Forest Green with a cluster of Green glass beads in the center. Dress clip is perforated metal.  Additional pieces in this line can be seen on pages 63 and 150 in the book, "Miriam Haskell Jewelry", by Cathy Gordon and Sheila Pamfiloff.  Unsigned. Measures 2-3/4".  Very Good Condition.  #2521

AMOURELLE by FRANK HESS

BRACELET and EARRINGS, 1963-1964, Mottled Green Glass beads with irregular pearls, rhinestones, and gilt metal findings. After Frank Hess retired from the Miriam Haskell company he joined forces with Josef Morton Glasser and formed the Morton Hess company. He left the company in 1963 and went to work for Kramer and formed a line call Amourelle. When I found this set it was a necklace that was missing a strand of beads, but I felt the motif was so gorgeous that it would make a beautiful bracelet. I sent it to Millie Petronzio, head designer for Miriam Haskell Ltd. and asked her to create a bracelet. She knotted it between each bead. The box clasp back was not the correct size and she, of course, only has Haskell parts. So, now the bracelet has a contemporay Haskell back with the Haskell oval. What a poetic journey this set has had. One of Frank's last works returned to his beloved Haskell company.  Bracelet measures 7-1/4". Earrings 2" x 1-1/2". Bracelet marked Miriam Haskell and the earrings are marked Amourelle. #2199

MIRIAM HASKELL

BRACELET and BROOCH, Early Unsigned. Thick luscious clusters of branch coral cover this 1930's silk cord style wrap bracelet and brooch. This Daisy Floral Brass finding is used in many Early Unsigned Motifs. Displayed on Watercolor page 106 and page 152 of 'Miriam Haskell Jewelry' by Cathy Gordon and Sheila Pamfiloff. Extra long Brooch measures 3-1/2" x 1". Front of bracelet measures 2" High. #2208

MIRIAM HASKELL

BROOCH, c. 1940s. Early Unsigned Frank Hess design. Lovely gilt metal leaves with clusters of Aqua beads and swaying dangling Aqua bead fringe. Beads and stampings are attached to the WWII perforated metal back with raised edges. This book piece can be seen on page #138, in the book, "Miriam Haskell Jewelry", Cathy Gordon and Sheila Pamfiloff.  Unsigned. Measures 4" x 2-1/2". Excellent Condition. #2840

MIRIAM HASKELL

BROOCH, c.1960s, Deep dimensions to the large and spectacular faceted crystal leaf Flower on Gilt metal stampings. The large faceted crystal leaves have an amber strip running through the center. Rhinestone accents are Deep aqua and Red Violet.  The same brooch, in clear stones,  can be seen in the book, "Miriam Haskell Jewelry, pg. 205, by Gordon and Pamfiloff. Marked with the applied oval. Measures 3-3/8" x 5/8" high. Excellent Condition. #2616

MIRIAM HASKELL

BROOCH, Unsigned 1930s Frank HESS design. Beautiful Robin's egg turquoise Art Glass beads in oval and flower shapes on gilt filigree stampings and chains. Matching necklace can be seen on page 120 in the book, "Miriam Haskell Jewelry", by Cathy Gordon and Sheila Pamfiloff. The pin back is a newly discovered Haskell pin back for this era. Measures 4" x 3". #2184

MIRIAM HASKELL

BROOCH, c. 1940s. Unsigned Frank Hess. A rare find. Large Pink Pansies with yellow glass bead centers nestled in a cluster of green pressed glass leaves. Bracelet is on  page 150, in the book, "Miriam Haskell Jewelry", by Cathy Gordon and Sheila Pamfiloff. Unsigned. Measures 3-1/4. Brooch has the perforated plastic WWII back. Very Good Condition.  #2954

MIRIAM HASKELL

BROOCH, WWII Era. Frank HESS Design, Long strands of Opaque Aqua Beads dangling from a layered Leaf and Flower. Marvelous example of Beads and Artistic Metal Findings. Goldtone Setting, C clasp. Beads and Setting are sewn onto a perforated metal plate. Unsigned. Measures 3" x 2-5/8". #2110

MIRIAM HASKELL

BROOCH,  Unsigned WWII. Primary colored wood beads  cupped by round nature wood bead and colored flower beads. mounted on a rectangle pierced back with raised edge and C closure. Variations of the wood pins and clips are displayed on page 144 of 'Miriam Haskell Jewelry' by Cathy Gordon and Sheila Pamfiloff. Unsigned. Measures 2-5/8" x 2-1/2". Excellent Condition. #2171

MIRIAM HASKELL

BROOCH, Unsigned WWII. Very Ornate colored and natural wood beads with sculpted wood bead disc caps in a variety of shapes. Gilt bead caps and chains with colored flower wood bead cluster mounted on a flat rectangular pierced back; 'C' closure. Variations of the wood pins and clips are displayed on page 144 of 'Miriam Haskell Jewelry' by Cathy Gordon and Sheila Pamfiloff. Unsigned. Measures 4-1/4" x 2-1/2". Very Good Condition. #2191

MIRIAM HASKELL

BROOCH, c .WW II.  Extra large 'A' level brooch with Hand Painted enamel leaves, Yellow and Red flat beads, Green glass beads, and gilt metal Daisies mounted on the curved solid gilt metal back. This favored design was part of several lines using different colored beads. Additional pieces to this line can be seen in the book, Miriam Haskell Jewelry, by Cathy Gordon and Sheila Pamfiloff, pg. 132. See necklace #2881, below, for a variation with brown beads. Unsigned Measures a very large 3-1/8" x 3-1/4". Very Good Condition. #2975

MIRIAM HASKELL

DRESS CLIP, WWII. Unsigned Frank Hess design. Large Art Glass beads with colorful striations and lacy Gilt metal stampings. Chains on the fringe are filigree with a raised design on the bead cups. WW II perforated plastic back. See necklaces from this line, above and below. This piece and additional pieces to this line are featured on page 162 in the book, "Miriam Haskell Jewelry", by Cathy Gordon and Sheila Pamfiloff. Measures 4". Very Good Condition. #2540

MIRIAM HASKELL

DRESS CLIP, Unsigned WWII. White Glass tube beads wrapped over a gilt metal form with a Center Pop-pom of bright yellow glass beads, mounted on pierced clear plastic with a metal dress clip. This clip is featured on pg. 142 of 'Miriam Haskell Jewelry' by Gordon and Pamfiloff. An Ad showed this line in 'Women's Wear Daily' on May 21, 1937. Also, this line was featured in the 'Larry Austin Watercolors'. This construction shows that this popular line was sold over a number of years. Unsigned. Measures 2-1/2"' x 2". Very Good Condition. #2522

MIRIAM HASKELL

DRESS CLIP, c.WWII, Unsigned Frank Hess design. Lovely complex cluster of Fancy Turquoise beads, Black Enameled Leaves set with pave' rhinestones. This clip is sewn on to a perforated plastic back. Ref. Gordon and Pamfiloff's 'Miriam Haskell Jewelry', pg. 43. Measures 2" x 2".  Very Good Condition. #2481

MIRIAM HASKELL

DRESS CLIP, Unsigned WWII. Charming clip with Green glass leaves and square Wooden beads capped with Yellow and Brown seed beads. In the center of the clusters there are Yellow beads. Dress clip is mounted on the perforated plastic back. This dress clip can be seen, along with additional pieces to the line and similar designs, on pg. 144, in "Miriam Haskell Jewelry", by Gordon and Pamfiloff.  Measures 2-1/4"' x 2-1/4". #2225

MIRIAM HASKELL

DRESS CLIP, c.WWII, Unsigned Frank Hess design. Lovely complex cluster of Fancy Turquoise leaf shaped beads, large and small round glass beads attached to chains. This clip is sewn on to a perforated plastic back. This 'A' level clip measures 4-1/4" long.  Very Good Condition. #2358

MIRIAM HASKELL

DRESS CLIP, c.pre-WWII, Unsigned Frank Hess design. Wonderful Art Glass beads in Turquoise set in solid layers of Gorgeous swirling gilt metal stampings. Solid metal backings. Examples of this clip can be seen on page 130 in the book, "Miriam Haskell Jewelry", by Cathy Gordon and Sheila Pamfiloff.  Unsigned. Measures 2" x 1-1/4" Very Good Condition #2584, $265.00

MIRIAM HASKELL

DRESS CLIP, c.1930s. An early Unsigned Frank Hess design. Extra long Fringe with simulated Blister pearls, aqua, cranberry and opaque white beads with clear rhinestone rhondelles and rhinestones. This Line was featured in an Early Larry Austin Watercolor, on page 94, and additional pieces to this line can be seen on pg. 137 in "Miriam Haskell Jewelry", by Cathy Gordon and Sheila Pamfiloff. Measures 4-1/2" x 1-5/8". #2197 1930s Larry Austin Watercolor

MIRIAM HASKELL

DRESS CLIP, c.1930s,  An early Unsigned Frank Hess design. Lovely complex cluster of fancy beads and large Art bead in turquoise and simulated Carnelian with Antique silver tone stampings. The clip has the solid 1930s back. Pieces in this line can be see on pg. 136 in "Miriam Haskell Jewelry", by Cathy Gordon and Sheila Pamfiloff. Measures 2-1/2" x 2". #2320

MIRIAM HASKELL

DRESS CLIP, Unsigned WWII. Petite clip with gilt metal leaves,  aqua beads, and button rhinestones mounted on pierced clear plastic and metal dress clip. These findings will be found in a variety of early Haskells. Unsigned. Measures 1-5/8"' x 1-1/4". Very Good Condition. #2202

MIRIAM HASKELL

LARIAT, c.1930s. Early Unsigned Frank Hess design. Dress clips are Pearlized leaves, Amethyst, and Dark Blue colored glass Flowers with Clear rhinestone accents, Bead strands are semi opaque pale pink glass beads. Dress clips have the 1930s solid Silver tone back. Featured on page 135 in "Miriam Haskell Jewelry", by Cathy Gordon and Sheila Pamfiloff. Beads, Flowers, and Metal parts are in Very Good Condition. Pearlized leaves have lost some pearl essence. #2114

MIRIAM HASKELL

DRESS CLIP LARIAT, c.1940. Early Unsigned Frank Hess design. Dress clips have large white glass Flowers with Pom Pom-shaped round white glass beads. Back has the perforated plastic back. Measures 27-5/8"., clips measure 2-3/4 x 2-3/4". Very Good condition. #2520

MIRIAM HASKELL

NECKLACE, Early 1950s Dramatic Frank Hess design in Antique Silver Metal, Huge Crystals, and Sparkling rhinestones. Clusters of Rose Montee's wrap around large clear rhinestones and metal Leaf forms, with paper clip chains and filigree beads. A true work of Art! Featured on the title page and pg. 169, of the book, "Miriam Haskell Jewelry", by Cathy Gordon and Sheila Pamfiloff. Marked Miriam Haskell on an applied oval. Measures 15-1/2". Center design is 2" x 2-1/4". #2215

MIRIAM HASKELL

NECKLACE, Early 1950s, Frank Hess. Dark Antique Silver finish on this Lovely older design. Eight Paper Clip chains, with weighty Floral stampings, Clear rhinestones, and Rose Montee's, with a Hook and Rondelle bead chain closure. Bracelet to match is on page 180 of "Miriam Haskell Jewelry" by Gordon and Pamfiloff. Marked on an applied oval on the center piece. Measures 17" to the last bead. Center piece measure 2-1/2" long. Small portion of the Rondell bead chain replaced with new rondells by Millie Petronzio, Haskell's head designer. Very Good Condition with some age to the Antique finish. #2337 BEAD CHAIN

MIRIAM HASKELL

NECKLACE, c.1930s, EXTREMELY RARE!! One of the most Beautiful of Frank Hess' designs. The extra large center drop consists of four large Green glass leaves, four large Gold washed Filigree leaves, with a large Butterfly stamping accent; all highlighted with Cranberry glass beads, Pale Yellow beads, and Faux pearls. There are eight box chain segments, separated by bead caps and Cranberry, Yellow, and Faux pearl beads. A small restoration was done by Millie Petronzio, Haskell's head designer. One chain was removed from each of the top three segments to create a new three chain segment. So, the top four segments consist of three chains each, while the bottom four segments consist of four chains each. The age and integrity of the design remains. This necklace is in "Miriam Haskell Jewelry" by Gordon and Pamfiloff, pg. 120, and "The Jewels of Miriam Haskell", by Cera, pg. 87.  Measures 18-1/4". Drop measures 4-1/2". The hang tag was added a long time ago by someone who may have been insecure about the authenticity of the necklace. This IS an unsigned Miriam Haskell. #2140 BEAD CHAIN

MIRIAM HASKELL

CHATELAINE STYLE NECKLACE, c.1940s. Early Unsigned Frank Hess design. Very inventive concept. The ends are pins which attach to either side of the dress bodice, or neckline, and  drape across. Cobalt Blue beads with Clear rhinestones and silver tone stampings and findings. Featured on page 155 in "Miriam Haskell Jewelry", by Cathy Gordon and Sheila Pamfiloff. Pins are the early 1940s perforated metal back with lip and have the safety clasp. Measures 15-1/2". Pins are 1-3/4" x 1". Excellent Condition. #2170

MIRIAM HASKELL

NECKLACE, c.1930s. Wonderful old Aqua-Blue Art Bead necklace with Elegant Gilt bead caps on a textured heavy link chain. Additional pieces in this line are featured on pg. 130 in the book, " Miriam Haskell Jewelry", by Cathy Gordon and Sheila Pamfiloff. This line was also featured in one of Larry Austin's famous watercolors. Measures 17" with the dangles measuring 1/3/4". #2329

MIRIAM HASKELL

NECKLACE and EARRINGS, Late 1960s. Lovely set created by Peter Raines. Ruffled pearlized glass beads linked together with a glittering array of sparkling rondelles and faceted crystal caps. This set can be seen in the book, "Miriam Haskell Jewelry", by Cathy Gordon and Sheila Pamfiloff, page 20.  Marked Miriam Haskell in a cartouche on the box clasp and on back of the ear clips. Necklace measures 15-1/2", with each pearlized link measuring 1" x 3/4". Earrings measure a long dangly 2". Excellent Condition. #2722,

MIRIAM HASKELL

NECKLACE and EARRINGS, c. Late 1950s. Robert Clark. Lovely centerpiece encrusted with Rose Montees and bent Enameled green leaves. Additional pieces to this line are featured on pg. 191 in the book "Miriam Haskell Jewley", by Cathy Gordon and Sheila Pamfiloff. Necklace measures 14-3/4". Center measures 2", Earrings 1". #2228

MIRIAM HASKELL

NECKLACE, 1930s. Frank Hess' passion for glass leaves is  demonstrated in this very early design. Simulated Rose Quartz graduated bead strands with  gradations of Rose colored bead strips, large molded Rose colored leaf petals attached to a circular motif. This necklace is featured on page 122 in the book, "Miriam Haskell Jewelry", by Cathy Gordon and Sheila Pamfiloff. Unsigned. Measures from the inside strand 18". Motifs measure 2" x 2". #2180

MIRIAM HASKELL

NECKLACE, Early 1940s. Unsigned Frank Hess design. Multi-strands of Golden colored beads round beads in granduated length, highlighted in Green clear beads, flattened Yellow beads, gilt metal Flowers stampings and Green enameled leaves, mounted on a long flat solid metal back. Additional pieces to this line can be seen in the book "Miriam Haskell Jewelry", by Cathy Gordon and Sheila Pamfiloff, pg. 116. Unsigned. Measures 17". Drop measures 3" x 2-1/2"." Very Good Condition. #2936  Early unsigned box clasp

MIRIAM HASKELL

NECKLACE, Early 1940s. Unsigned Frank Hess design.  Aqua beads and clear pave rhinestones. The back has the WW II  perforated plastic back. No clasp. Necklace pulls over the head. Similar designs can be seen in the book "Miriam Haskell Jewelry", by Cathy Gordon and Sheila Pamfiloff, pg. 153. The necklace has been restrung for security by Millie Petronzio, Head designer for Haskell.   Unsigned. Measures 28". Fringe drop measures 2-1/4" x 2-1/2" Very Good Condition. #2623

MIRIAM HASKELL

MIRIAM HASKELL, Rare Reversible NECKLACE, Frank HESS, A Very Rare Vintage 1950's Design. One Look for the Evening and One Look for the Day. Simply Smashing under the hot Caribbean Sun, accenting a White Linen Dress! On one side of this Reversible Collar-style Necklace you have rows of Soft Aqua Blue Seed Beads alternating with Channels of Rose Montees; thousands of them. On the reverse side, there are alternating rows of Soft Aqua Blue Seed Beads, Pale Yellow-Green Seed Beads, and Lavender Seed Beads; again thousands of them. Each Link is finished with a Large Dangling Aqua Blue Bead. Well over 3,400 meticulously and skillfully applied ornaments for our Pleasure. Although there was a line issued using these seed beads, the feeling is that this individual necklace was a prototype, and never actually put into full production, due to the extensive labor involved. Signed Miriam Haskell in Block on the Old Dove hook. Measures 17-1/2" x 1-3/4". #2227

MIRIAM HASKELL

NECKLACE, Very detailed design done in Pale Gray Nicki Baroque seed Pearls (man-made pearls), accented with clear rhinestones on Antique silver color filigree stampings. This necklace is part of the Millie Petronzio line  featured on page #234 and #235 in the book, "Miriam Haskell Jewelry", by Cathy Gordon and Sheila Pamfiloff. Measures 16-1/4", with the center design measuring 3-1/4". Excellent condition. #2516

MIRIAM HASKELL

NECKLACE,  A Robert Clark Masterpiece from the Eleanore Moss Archival Collection. Fancy shaped turquoise marbleized art beads, and vibrant turquoise and pale blue rhinestones, with gilt metal stampings and filigree. Chains weave through the bead chain in regular intervals while tiny rhinestones peek out from layers of luscious gilt stampings. All of this develops height, airy spaces, and rhythm, demonstrating Robert Clark's artistic talent. Measures 27" with a 3-1/8" drop. #2150

NECKLACE, 1960s Robert Clark design. A Classic example of Clark's use of the Large Cabochon as the Central Focus of his Motif. His use of matching Blue Beads amid Strings of Niki Pearls is another one of his trademarks. This Motif can also be found on other Elaborate Lines, as pictured on Page 200 of "Miriam Haskell Jewelry" by Gordon and Pamfiloff. Marked on the clasp Miriam Haskell in a cartouche. Strands are back strung and Necklace measures 16-1/2". Motif measures 1-1/2. #2169

Larry Austin Water color depicting these beads

MIRIAM HASKELL

NECKLACE, Early1940s. Unsigned Frank Hess design. Large Art Glass beads with colorful striations and lacy Gilt metal stampings. Additional pieces to this line are featured on page 162 in "Miriam Haskell Jewelry", by Cathy Gordon and Sheila Pamfiloff.  Measures 16-1/2". Very Good Condition. #2474

MIRIAM HASKELL

NECKLACE and EARRINGS, c.1960. Classic dimensional Robert Clark with citrine colored baguettes, rhinestones, gilt stampings and fancy shaped Rousselet pale amber and citrine colored beads. This set and additional pieces to the line can be found on pages 202 and  203 in the book, "Miriam Haskell Jewelry", by Cathy Gordon and Sheila Pamfiloff. Marked on an applied oval, hook and the back of the ear clips MIRIAM HASKELL. Necklace measures 18" from the hook to the end bead of the adjustable hook and tail closure. Center piece measures  2" x 2". Earrings 1-3/8"x 1". Very Good Condition. #2157

MIRIAM HASKELL

NECKLACE and BRACELET. A Seed Bead Extravaganza, by Frank Hess. Large Gilt Metal Spheres covered with Rows of wired on Seed Beads, separated by small flattened white glass spacers. This necklace and bracelet are pictured on page 188 in the book, "Miriam Haskell Jewelry", by Cathy Gordon and Sheila Pamfiloff. Necklace measures 15"-17" with Hook and Tail, bracelet 6-1/2". Marked on the hook. #2149

1930s Larry Austin Water color depicting this line.

MIRIAM HASKELL

NECKLACE, c.1930s. Frank Hess Design, consisting of Rose, Periwinkle Blue, and Clear Pressed Glass Flowers; Large Champagne-colored Italian Pressed Glass Beads highlight this Magnificent Work of Art. Additional pieces to this Line, are prominently displayed on pages 126-127 of 'Miriam Haskell Jewelry' by Cathy Gordon and Sheila Pamfiloff. This Line was also Featured in Deanna Cera's "The Jewels of Miriam Haskell', pages  84-85; Harrice Miller's 'Costume Jewelry', 2nd Ed., center colored section. Unsigned. Necklace Measures 16-3/8". Very Good Condition, with 1 small chip on a blue flower.  #2747

MIRIAM HASKELL

NECKLACE and BRACELET, c.1930s. Frank Hess 'A' Level Design, consisting of Rose, Periwinkle Blue, and Clear Pressed Glass Flowers; Large Champagne-colored Italian Pressed Glass Beads highlight this Magnificent Work of Art. This Limited Production Necklace, along with additional pieces to this Line, is prominently displayed on pages 126-127 of 'Miriam Haskell Jewelry' by Cathy Gordon and Sheila Pamfiloff. This Line was also Featured in a 1930s Larry Austin Watercolor. Necklace Measures 16-1/2". Unsigned. Very Good Condition. The Silk Cord Wrap Bracelet features 5 of the Large Champagne-colored Italian Beads, front, back, and sides, and terminates in stamped gilded metal end caps. Wrap bracelet fits most sizes. Unsigned. Very Good Condition.  #2168 1930s Larry Austin Watercolor of this line

1956 Haskell Ad

MIRIAM HASKELL

NECKLACE, c.1956. Frank Hess Design. Gilt Oak Leaves traced in Rose Montees, Baroque Pearls, Rose Montees spacers, ribbed Gilt bead-caps, and Filigree. This line was featured in a Harper's Bazaar ad in October 1956. This motif is also featured in Cera's 'The Jewels of Miriam Haskell', page 129. Marked with a Cartouche on front closure box clasp. Necklace measures 16-1/2", center motif 1-3/4" x 1-1/2". Excellent Condition, Note: The spacers and caps were replaced by Haskell head designer, Millie Petronzio. #2780

MIRIAM HASKELL

BRACELET, c.1956. Frank Hess Design. This line was featured in a Harper's Bazaar ad in October 1956. Gilt Oak Leaves traced in Rose Montees, Baroque Pearls, Rose Montees spacers,  ribbed Gilt bead-caps, and Filigree. This motif is also featured in Cera's 'The Jewels of Miriam Haskell', page 129. Bracelet 7-1/2". Excellent Condition. Marked with a Cartouche on clasp. #2183   1956 Haskell Ad

MIRIAM HASKELL

NECKLACE and BRACELET, c.Late 1950s-1960s. Frosted Faceted Glass Stones in Dark Antique Silver Stampings; layers, and clusters, and layers. The elegant frosted glass beads and Antique Silver Stamping finish this Stylish set beautifully. Marked with the appled oval on the back of the centerpiece and on the decorated hook. Bracelet marked with the oval cartouche imprinted on the back of the box clasp closure. Necklace measures 14-1/4 to 16-1/4" adjustable hook and tail closure. Center piece measures 2" x 2-1/8" . Bracelet measures 7", center motif 1-5/8" x 1-5/8". Very Good Condition. #2772 Necklace Bracelet

MIRIAM HASKELL

NECKLACE and BRACELET, c. late 1940 to  early 1950s. Rows of White beads and Rose Montee's wrap around the memory wire necklace and hinge bracelet. Featured on page 167 in "Miriam Haskell Jewelry", by Cathy Gordon and Sheila Pamfilof. Unsigned. Hook could be a replacement or an early style used before the signature was added in the early 1950. Necklace measures 15". Bracelet 7". Excellent Condition. #2135

HOBÉ

BRACELET and EARRINGS. An Elegant design, richly embelished with stones. Mother of Pearl Cameos are surrounded by layers and layers of Topaz, Pale Yellow, and Clear prong set rhinestones in a variety of sizes, set in silver tone metal. The back portion of the bracelet has braided chains. Marked Hobe' on the clasp and earrings clips Bracelet measures 7" x 1-3/4" in the front. Earrings 1-1/8" x 7/8" Excellent Condition #2837

HOBÉ

STERLING BROOCH, Huge Heart Shaped Brooch, Suspended from a Beautifully Ornate Scrolled Bar with Rose Dangles. Green Heart-shaped Open Back Rhinestone in the Center. Hand applied Leaves cover the entire surface. Marked Hobe' Sterling. Measures 3-1/8" x 2-1/2". #1945

HOBÉ

NECKLACE, BRACELET, AND EARRINGS. From the archives of Don Hobe'. Last year at the Vintage Fashion and Costume Jewelry, Don Hobe' sold his archive of jewelry made for Broadway shows. This set was made for the 1960 Broadway show, 'Show Biz', starring Carol Channing. The set is made with faceted Black and Clear Rhinestones set in a silver tone setting. This set is sold with the Stage Bill. On page 8 of the booklet is stamped HOBE' jewels made for the stars. Included in the Show Bill are advertisements of other stage shows, short articles, and advertisements. "A bit of Theater Americana".  His entire inventory was sold out at some remarkable prices. Measures, necklace 17" w/ 2" center, bracelet 7" x 1-1/4", earrings 2". Set is in Excellent Condition. Show bill has some aging. #2528 Photo of Don Hobe' at the 2005 VFCJ Convention with his archive of Show Bills and Hobe' jewelry made for individual Broadway Shows.

LANGANI ANNI SCHAAD STUTTGART

BROOCH, c. 1960s. Glass beads Hand-knotted nylon thread; invisible to the eye. A fresh combination of Spring Green beads, Clear beads with a yellow matrix, Yellow and Clear beads with an Amber Matrix, and Spring Green tube beads in her signature style. This style, with the invisible knotting brought overnight fame to Anni Schaad and brought her to the forefront of top European designers in the 1960s. Necklace using this knotting process is Pictured in Cera's 'Jewels of Fantasy' pg. 367, referenced in 'European Designer Jewelry' by Moro, pg.. 136-141.  Little black bead, sewn into the glass bead stem, is a signature style for Langani.  Measures 2-1/2" Very Good Condition #2680

LANGANI ANNI SCHAAD STUTTGART

BROOCH, c. 1960s. Glass beads Hand-knotted nylon thread; invisible to the eye. A wonderful combination of orange and clear beads with a white matrix. This style of invisible knotting brought overnight fame to Anni Schaad and brought her to the forefront of top European designers in the 1960s. Necklace using this knotting process is Pictured in Cera's 'Jewels of Fantasy' pg. 367, referenced in 'European Designer Jewelry' by Moro, pgs. 136-141.  Little black bead, sewn into the glass bead stem, is a signature style for Langani.  Measures 2-1/2" Very Good Condition #2681

LANGANI ANNI SCHAAD STUTTGART

FIREBIRD NECKLACE, c.1965. Hand-knotted glass 'kid' beads on nylon thread; a wonderful combination of yellows, oranges, greens, and clears. This is the necklace that brought overnight fame to Anni Schaad and brought her to the forefront of top European designers in the 1960s. Pictured in Cera's 'Jewels of Fantasy' pg. 367, referenced in 'European Designer Jewelry' by Moro, pgs. 136-141. Signed on the back of the clasp in script, and with Anni's black bead. Measures 16". Excellent Condition. #2582

McCLELLAND BARCLAY

BRACELET, 1935-1945, Sterling Cala Lillies design in a link style bracelet. Measures 7-5/8" x 1". Marked McClelland Barclay Sterling Silver. #2136

McCLELLAND BARCLAY

STERLING BROOCH, 1935-1945, Cala Lillies design Sterling. Measures 2-1/4" x 2". Marked McClelland Barclay Sterling Silver. #2137

McCLELLAND BARCLAY

STERLING BROOCH, 1935-1945, Beautiful Flying Swan design with head under wing . Measures 2-1/4" x 1-3/4". Marked McClelland Barclay Sterling Silver. #2306

McCLELLAND BARCLAY

DRESS CLIP, c. 1940s.  The well known Shield Design in Silver tone with Sapphire Blue stones and clear pave rhinestone highlights.   Marked McClelland Barclay. Measures Very Good Condition.   #2633

McCLELLAND BARCLAY

NECKLACE and BRACELET, Early 1940s. The RETRO LOOK in Red. Plaque style design in raised goldtone metal. Necklace measures 16" with the plaques measuring 1-1/8" x 7/8". Bracelet 7". Good Condition with some gold wash wear, typical of these pieces. #2362

McCLELLAND BARCLAY

NECKLACE, Early 1940s. Large and lovely RETRO necklace in Sapphire Blue rhinestones. Measures 16". #2392

ORNELLA OF ITALY

NECKLACE, with Elegant Clasp; wear front or back. Designed by Maria Vittoria Albani from Milan. The hallmark of her jewelry is unusual beads and interesting materials including Wood, Ceramic, and Venetian beads. Six strands of long round Amber colored glass tub beads, with round Black glass beads. The clasp is a  large Black faceted cabochon, accented by round Amber foil backed cabochons. Marked on the back of the clasp, Ornella Made in Italy. Very Good Condition. Some surface scratches to the back of the clasp. Measures 15-1/2". Clasp measures 1-3/8" x 1-3/8". #2885

DONATELLA PELLINI MILAN for PELLINI BIJOUX

NECKLACE, ca.1989-1991, Donatella took the reins of the company in 1972, and continued the collaborations with the World's top Fashion Designers such as Valentino, Versace, Armani, Lacroix, and Fendi. Her use of Elaborate Beads and Resin Embellishments established her Artistic Works at the highest levels of the Fashion World. An example of this set, from the Pellini Archives, is featured on pg. 362 in "Jewels of Fantasy", by Deanne Farnetti Cera, with Gilt Metal and Clear Resin. Marked 'Pellini on the inside of the ear clip. Necklace measures 28" with the larger beads measuring 1-1/4" long. Earrings 2-1/4" long. Very Good Condition with some very slight wear to the gold on the back of the earrings. #2369

DONATELLA PELLINI MILAN

ART NECKLACE, Donatella took the reins of the company from her mother in 1972, and continued the collaborations with the World's top Fashion Designers such as Valentino, Versace, Armani, Lacroix, and Fendi. Her use of Elaborate Beads and Resin Embellishments established her Artistic Works at the highest levels of the Fashion World. This necklace is made with a straw-like material incorporating beads. The wrapped memory wire has been painted gold. Iridescent white and Mauve colored seed beads wrap tightly around the bundle. This necklace can be worn up, down, or sideways for a modern or artist effect. See the 2nd Pic. There is no signature on the piece but it came in the purple velvet pouch and bag with the overlapped D Pellini monogram. #2398

ROUSSELET

NECKLACE and EARRINGS, c. 1950s.  Long center drop with delicate Pink glass Petals, Pink beads, and faux Tahitian Fresh Water pearls and a large Tahitian faux pearl, accented with white faux seed pearls.  The chain consists of pink and faux pearls sandwiched in between chains. For examples of Rousselet construction, stones, faux Tahitian pearls, clasps, and metals see Ref: Ginger Moro's 'European Designer Jewelry', pages 64-68. Marked Made in France on the Rousselet box clasp. Beads are in Very Good Condition. Chains have patina. Messures 16-1/2". Drop measures 3-1/2". Earrings 1" #2859 Clasp Earring

SCHIAPARELLI

BRACELET, Large Tear-shaped openback glass stones in Salmon Pink and pale Opalescent Yellow colors with Hot Pink ab rhinestone highlights, set in Heavy goldtone metal. Measures 7-1/8" x 1-1/2". Script signature on the clasp. Excellent Condition. #2022

SCHIAPARELLI

BRACELET, Liquid green tear-shaped open back stones and round AB stones in a heavy goldtone setting. Measures 7-3/8" x 1". Script signature on the clasp. Excellent Condition. #2210

SCHIAPARELLI

BR00CH and EARRINGS, Extra Large Delicious open back faceted glass stones in a variety of shapes and sizes. The Stone colors are a subtle shade of pale lavender-pink. Large center AB Stones are reverse mounted, reflecting a rainbow of colors. Large Pale Pink rhinestones enhance the color scheme. Stones are set in a heavy gold tone setting. Earrings Signed in script and Pat., Brooch not signed. Brooch measures a substantial 2-5/8". Earrings 1-3/4". #2261

SCHIAPARELLI

NECKLACE, Four strands of Luscious Cream-colored simulated Pearls with a highly decorated clasp, consisting of large iridescent Yellow Shells, Hot Pink and Yellow tear-shaped rhinestones, and  pale yellow round accent rhinestones, with the heavy gun-metal setting.  Marked on each side of the clasp Schiaparelli in Script. Measures 15-1/2". Clasp measures 2" x 1-1/2". Very Good Condition. #2736

SCHIAPARELLI

NECKLACE, Exceptional Shell design with iridescent Pale Aqua glass shells, Opalescent round cabochons, and Blue tear shaped aurora borealis rhinestones with aura borealis accent rhinestone chains. Gold tone setting. Rare in blue. Marked on the back Schiaparelli in Script. Measures 16" and 1-3/4" in the front. Excellent Condition. #2814

SCHIAPARELLI

NECKLACE, Marvelous Aurora Borealis textured rhinestones reflecting Hot Pink and Golden Yellow colors, accented with dark Amber colored rhinestones. The lovely large faceted center rhinestones reflect a rainbow of juicy warm Pink and Gold tones. Marked on the back Schiaparelli in Script. Measures 16-1/2" x 1-1/4". The center motif measures 3" x 1-1/4". Excellent Condition. #2861

SCHIAPARELLI

NECKLACE, BRACELET, and EARRINGS, Dreamy Purple faceted oval stones in a heavy silvertone open back setting, let the light shine through. Hot Pink round rhinestones accents. Necklace measures 17" x 5/8".  Bracelet measures 7-5/8" x 5/8". Earrings 1" x 7/8". Script signature on an oval plaque. Excellent Condition. #2220 Earring

SCHIAPARELLI

NECKLACE, BRACELET, and EARRINGS, Dark Amethyst Bon-Bon shaped Art-Glass stones with light layered snow nugget matrixes and Hot Pink rhinestones set in the old heavy Antiques silver colored setting. Signed in script on all pieces. Necklace measures 17". Bracelet 7-1/2", Earrings 1-1/4". #2145

SCHREINER NEW YORK

SCHREINER BROOCH,  Liquid Spring in vibrant Jonquil. Large open back stones in a variety of sizes accented with small Citrine and Green rhinestones in flower formations. Stones are set in a heavy silver tone setting. Marked on an applied oval Schreiner New York. Measures 2-1/8" x 1" high. #2403

SCHREINER NEW YORK

SCHREINER BROOCH/PENDANT, Elegant Champagne and crystal colored rhinestone brooch. Very high.  Marked on an applied oval Schreiner New York. Measures 2" x 2", and 1-1/8" high. #2332.

SCHREINER NEW YORK

SCHREINER BROOCH/PENDANT, Luscious Ruby Red and Rich Deep Rose colored open back faceted glass stones and Garnet colored rhinestones mounted in a dark gunmetal colored setting.  Marked on an applied oval Schreiner New York. Measures 2" x 2" and 1-1/8" high. #2232

SCHREINER NEW YORK

SCHREINER BROOCH/PENDANT. Deep Pools of  Green. Emerald Green faceted open back rhinestones, round and oval Green rhinestones pile high to the Center large faceted Emerald Green rhinestone in a goldtone setting. Marked on an applied oval Schreiner New York. Measures 1-7/8" x 1-3/4" and 1" high. Excellent Condition. #2836

SCHREINER NEW YORK

SCHREINER BROOCH and EARRINGS. Petals in Pale Amber colored faceted oval rhinestones, with large Clear point-up (rivoli) rhinestones,  encrusted with faux pearls and pale Topaz round rhinestones in a variety of sizes. Lovely depth to the brooch. The brooch is marked on an applied oval plaque, Schreiner New York. Measures 2-1/2". Earrings  1" Excellent Condition. #2805

SCHREINER NEW YORK

SCHREINER BROOCH and EARRINGS, Sculptural design with large Pale Citrine open back glass stones and Sapphire colored rhinestones. In the center, tucked beneath folding goldtone curled leaves are faux Pearls and faceted Amber rhinestones, with a large Amber rhinestone center. Marked on an applied oval plaque, Schreiner New York and the earrings are unsigned. Brooch measures 2-1/8". Earrings 1-1/8". Excellent Condition. #2451

SCHREINER NEW YORK

SCHREINER BROOCH and EARRINGS, Exquisite Design in Three  layers of Smoky Sapphire and Light Blue, reverse mount, open back rhinestones. The large stones are tucked in rings of Royal Blue and Light Blue prong set rhinestones. Sprinkled throughout the design are small AB rhinestones that add a bit color contrast to the flash of the stones. The earrings are three levels as well, with reverse mount sapphire blue and light blue rhinestones. The center rhinestone is tucked deep behind the smaller rhinestone rings.  Set in a heavy gold tone setting. The brooch is marked on an applied oval plaque, Schreiner New York and the earrings are unsigned. Brooch measures 2-1/4" and 1" high. Earrings measure 1" and 1/2" high. Excellent Condition. #2294

SCHREINER NEW YORK

SCHREINER BROOCH.  Dramatic Design with a Huge Luscious Open Back Faceted Topaz Center Stone. A plentiful array of pale Smoky Topaz Rhinestones in an open Three Dimensional Scuptural display complete this Cast of Characters. Set in a heavy gold tone setting. The brooch is marked on an applied oval plaque, Schreiner New York. Measures 2-1/2" x 2-1/8" and 1" high. #2299, $300.00

SCHREINER NEW YORK

SCHREINER BROOCH/PENDANT and EARRINGS, Mint Green textured open back Art Glass stones with Large pale, pale oval open back glass stone and tear shaped open back glass stones, mounted in an Antique Silvertone chain style setting. Marked on an applied oval Schreiner New York. Brooch measures 2-3/8" and 1-1/8" high, Earrings 1" x 3/4". #2248

SCHREINER NEW YORK

SCHREINER NECKLACE and BRACELET, Very High Domed oval Topaz colored, open back glass stones, set in a Dark Chocolate enamel on metal setting, lined by clear rhinestones. Both Necklace and Bracelet are signed with the applied oval, 'Schreiner New York'. Necklace measures 15/3/8" x 1/18" at the longest drop. Bracelet 1-7/8". Stones are in excellent Condition. The dark spot on the left hand side of the bracelet is the refection of the setting through the stone. Enamel is in Good Condition, with small wear to the back of clasp on the bracelet. #2644

TRIFARI JEWELS of INDIA

BRACELET, c.1965. One of Alfred Philippe's Finest and Last Series of JEWELS for Trifari. Large Emerald Green Cabochons are surrounded by a Star Burst of Tear-shaped, Bezel set Ruby and Sapphire Colored rhinestones. The entire front is covered in Clear Pave' rhinestones. Set in a Luscious Gold-plated finish. Measures 1-1/2" in the front. Interior Measures 6-1/2". Excellent Condition.  #2542 1965 Ad

TRIFARI JEWELS of INDIA

BROOCH, c.1965. One of Alfred Philippe's Finest and Last Series of JEWELS for Trifari. Large Emerald Green Cabochons are surrounded by Tear-shaped, Bezel set Ruby and Sapphire Colored rhinestones. The entire front is covered in Clear Pave' rhinestones. Set in a Luscious Gold-plated finish.  Measures 2" X 2". Excellent condition. #2543 1965 Ad

TRIFARI JEWELS of INDIA

EARRINGS, c.1965. One of Alfred Philippe's Finest and Last Series of JEWELS for Trifari. Large Emerald Green Cabochons are surrounded by Tear-shaped, Bezel set Ruby and Sapphire Colored rhinestones. The entire front is covered in Clear Pave' rhinestones. Set in a Luscious Gold-plated finish. Measures 2". Excellent Condition. #2544  1965 Ad

TRIFARI JEWELS of INDIA

NECKLACE, c.1965. One of Alfred Philippe's Finest and Last Series of JEWELS for Trifari. Large Emerald Green Cabochons are surrounded by a Star Burst of Tear-shaped, Bezel set Ruby and Sapphire Colored rhinestones. Accented with Pave' rhinestones. Set in a Luscious Gold-plated finish. Imitation Pearls are Hand Knotted with a heavy glass core. Measures 26". Clasp measures 2-3/8" x 1-3/8". Excellent Condition. #2541  1965 Ad

TRIFARI

STERLING BRACELET, Lucious Ruby colored Rhinestones in Sterling.  One of the favorite Alfred Philippe designs. Featured in a Harper's Bazaar ad on Febuary 1946, Jewles by Trifari. Signed Trifari with a crown, Sterling. Measures 7-1/4" x 3/4". Stones in excellent condition. Gold finish is mostly missing but the Sterling Silver is excellent high polish.    #2205 AD "Harper's Bazaar" 1945

TRIFARI

BRACELET, Alfred Philippe, Decoesque design with a Patent date of  0ct. 22, 1940. Pat. #123168. Inset Clear rhinestones around the Bracelet and Clasp. Sapphire Blue Oval rhinestones are the center fo the Flower Motif. Very Good Condition with a bit of enamel wear mixed in. Measures 7-1/4" and 3/4" at its widest.  #2316 PATENT

TRIFARI

BROOCH, EMPRESS EUGENIE, designed by Alfred Philippe. One of his most revered designs in Blue-black enamel, pearls, and pave' stones, in a gold plated setting. Signed Trifari with a crown over the short T, which is the 1936 mark. Design #121,859, dates to August 6, 1940. Measures 2-1/4" x 1-1/2". #2226 PATENT (Note: This brooch matches the centerpiece of this patent for the bracelet.)

TRIFARI

EARRINGS,  EMPRESS EUGENIE, designed by Alfred Philippe. One of his most revered designs in Blue-black enamel, pearls, and pave' stones, in a gold plated setting. Signed Trifari with a crown over the short T, which is the 1936 mark. Design #121,859, dates to August 6, 1940.  Measures 7/8" Very Good Condition #2676e PATENT Note: These earrings match the centerpiece of this patent for the bracelet.)

TRIFARI

EARRINGS,  EMPRESS EUGENIE, designed by Alfred Philippe. One of his most revered designs in Blue-black enamel, pearls, and pave' stones, in a gold plated setting. Signed Trifari with a crown over the short T, which is the 1936 mark. Design #121,859, dates to August 6, 1940.  Measures 7/8" Very Good Condition #2677e PATENT Note: This earrings match the centerpiece of this patent for the bracelet.)

TRIFARI

EMPRESS EUGENIE SERPENT FUR CLIP, Very special rare Alfred Philippe design from 1941. Large Emerald green rhinestones and pave' rhinestones in Gold Plated metal. Measures 2-3/4" x 2-1/2".  Refurbished with two dangles missing. #2081F

TRIFARI

STERLING LYRE BIRD BROOCH, c. 1945. Designed by Alfred Philippe. Large Deep Blue cabochon body, Pale Blue rhinestone Wings, Ruby, Emerald and Pale Blue rhinestone tail feathers, with clear rhinestone accents.  Marked Trifari Measures 3" x 2" Very Good Condition. #2694 PATENT

TRIFARI

BROOCH, designed by Alfred Philippe, early 1940s. Lovely graceful design in Clear pave' stones , Ruby Red open back stones and Deep Red enamel. Marked Measures 2-7/8". Very Good Condition. #2327

TRIFARI

TRIFARI, NECKLACE and EARRINGS,Circa Late 1940s-Early 1950s.  Elaborate design by Alfred Philippe. Large oval faceted Sapphire rhinestones surrounded by clusters of flowers made with clear and Sapphire rhinestones. Ribbons of dark blue black enamel weave through the motif.  Great depth in this design. Setting is Golden Trifanium with the florets in SilverTrifanium. Marked with the 1930s Trifari Crown mark. Necklace measures 15-3/4. Earrings 1" x 3/4". Excellent Condition. #2904

Your Enjoyment and Appreciation of Your Selections is of Utmost Importance to me and I Greatly Value your Business.

Thanks for Shopping THE GLITTER BOX!