Vintage Modern Sterling Silver Jewelry
Mid-Century Modernist, Studio Artists, Arts & Crafts, Scandinavian
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Continual
Exploration The Opening of Macchiarini Creative Design and Metalworks Gallery |
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Links to other Great Silver Sites
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FRANCES HOLMES BOOTHBY | BROOCH and EARRINGS, Inventive
design where the motif is cut out in the brooch and recessed and
blackened in the earrings. She was part of the Walker Exhibition of 1955, and the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the.companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon. Marked fhb, Sterling. Measures 1-7/8" x 1 1/2", earrings 3/4". Very Good Condition. #2497, $295.00  |
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FRANCES HOLMES BOOTHBY | GOLD AND JADE RING. Known for both
Handmade Silver and Gold work using semi-precious stones. There is an
airy elegant quality in this design with repeated circles in a variety
of sizes in a random pattern surrounding a beautiful bright oval Jade
cabochon. She was part of the Walker Exhibition of 1955, and the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the.companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon. Marked fhb, 14k Size approx. 6-1/8. Measures 1/2" wide in front Very Good Condition. #2658, $450.00  |
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BERNARD BRENNER |
BRAZED BRASS PENDANT, c.1969.
Dramatic design
that gets down to 'The Nuts and Bolts' of Wearable Art. I was informed by the collector, from whom it was obtained, that this was created in 1969 as one of ten by the Philadelphia Sculptor Bernard Brenner. A short bio and an additional work may be seen at the site of Christopher Ray, Sculptor/Curator http://www.chrisray.com/exhibit/show01/index.htm Not Marked. Measures a substantial 4-1/4" x 2-1/2". Very Good Condition. #2897, $150.00  |
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JULES BRENNER |
BRACELET, c.1950s. Striking design
with
subtle shifts in angles and sides with the a wrapped band raised from
the cuff. This bracelet is included on page 116 of the 2008 Fort Wayne, Indiana exhibit American Modernist Jewelry, 1940-1970, companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon. Marked Jules Brenner Sterling. Measures 1" to 3/4", nice fit to 6-7/8"; could be slightly adjusted. Very Good Condition, with subtle patina. #2863, $525.00  |
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JULES BRENNER | BROOCH, c. 1950s. Studied with Ed
Wiener in Providence, RI. His early works were primarily in silver and
wire. Marked Jules Brenner, Sterling. Measures 1-3/4". Very Good Condition with a lovely patina. #2530, $225.00  |
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JOHN BRYAN | BROOCH, c.1950s-1960s. This brooch
is a classic example of his 1950s work of "enamel on concave surfaces
offering stunning contrast in color and metals", as described in the
1956 Craft Horizons, as
cited by Marbeth Schon on pg. 221 in the book, MODERNIST JEWELRY
1930-1960, The Wearable Art Movement. Marked Bryan Sterling. Measures 1-1/2". Very Good Condition with a slight patina. #2906, $225.00  |
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IRVIN and BONNIE BURKEE |
PENDANT, c.1950s. Both Irvin and
Bonnie's academic careers include art study, teaching, fellowships,
travel, and photography before uniting forces to build jewelry, as well
as a family in Colorado. They created one-of-a-kind or limited
production pieces. This piece has a joyous use of semi-circles
and line. Is it a person, animal, bug, or just shapes that please the
eye? As von Neumann said in his 1961 book, "The Design and Creation of
Jewelry", 'Their works reflect well the free interpretation of subject
matter.' Their work is included in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the.companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon, page 119. Marked Burkee Sterling. Measures 3-1/4" x 5/8". Very Good Condition with a lovely patina. #2821, $295.00  |
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VIRGIL CANTINI | PIN, Delicious Colors in the
Geocentric shaped design. Black outlines bring drama to the
piece. The enamel colors are Red, Red Orange, and Dark Blue. With the
signature delineation of gold line. Acclaimed for his work in enamel in Time magazine, 1953, and a professor in the Henry Frick Fine Arts department of The University of Pittsburg. He is referenced, and his work is included in, Modern Jewelry 1930-1960, the Wearable Art Movement, pg. 228, by Marbeth Schon; in the Long beach Museum of Art exhibit, and catalogue, Painting with Fire, by Jazzar and Nelson, page 265; in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon, page 123. Marked in script, Cantini. Measures 2" x 3/4". Excellent Condition. #2789, $200.00  |
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VIRGIL CANTINI | PIN. Heart
warming symbolic design with lovely surprises. A Spring Blossom motif,
in in both bright and night colors, with subtle references to
time and space and references birth and rebirth. The Flowers seem to
float above heavenly bodies at night and day, simultaneously. The
enamels are pink, yellow, grass green, dark orange, and midnight blue
highlighted with his trademark gold pen outline. Cantini was acclaimed for his work in enamel in Time magazine, 1953, and a professor in the Henry Frick Fine Arts department of The University of Pittsburgh. He is referenced, and his work is included in, Modern Jewelry 1930-1960, the Wearable Art Movement, pg. 228, by Marbeth Schon; in the Long beach Museum of Art exhibit, and catalogue, Painting with Fire, by Jazzar and Nelson, page 265; in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon, page 123. Marked Cantini, Stamped on the pin back. Measures 2" x 7/8" Very Good Condition. #2788, $200.00  |
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VIRGIL CANTINI | PIN, Reminiscent of a fossilized
fish executed in mottled blue, green, and lavender enamel,
with a deep blue enameled background, delineated in gold. Cantini was acclaimed for his work in enamel in Time magazine, 1953, and a professor in the Henry Frick Fine Arts department of The University of Pittsburg. He is referenced, and his work is included in, Modern Jewelry 1930-1960, the Wearable Art Movement, pg. 228, by Marbeth Schon; in the Long beach Museum of Art exhibit, and catalogue, Painting with Fire, by Jazzar and Nelson, page 265; in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon, page 123. Marked in script, Cantini. Measures 1-3/4" x 3/4" Very Good Condition. #2788, $200.00  |
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VIRGIL CANTINI | PIN and EARRINGS, ENAMEL OVER COPPER. An
Imaginative Abstract leaf design of whites and blacks on a red
background; unusual use of center accents of gold and black domes
highlight these concave shaped wearable works of art. Acclaimed for his work in enamel in Time magazine, 1953, and a professor in the Henry Frick Fine Arts department of The University of Pittsburg. He is referenced, and his work is included in, Modern Jewelry 1930-1960, the Wearable Art Movement, pg. 228, by Marbeth Schon; in the Long beach Museum of Art exhibit, and catalogue, Painting with Fire, by Jazzar and Nelson, page 265; in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon, page 123. Marked in script, Cantini. Pin measures 1-5/8"; Screw back style earrings measure 7/8". Excellent Condition. There is an area in back, next to the pin, where the enamel did not flow, leaving a small gap; this is original to the manufacture, and not after market damage. #2758, $295.00  |
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VIRGIL CANTINI | PENDANT, BROOCH, AND EARRINGS, c.1960s. Rich
greens and blue enamels in letters WQED, and numbers '63 and/or '61 on
the
brooch; A commemorative set. Acclaimed for his work in enamel in Time magazine, 1953; a professor in the Henry Frick Fine Arts department of The University of Pittsburg. He is referenced, and his work is included in, Modern Jewelry 1930-1960, the Wearable Art Movement, pg. 228, by Marbeth Schon; in the Long beach Museum of Art exhibit, and catalogue, Painting with Fire, by Jazzar and Nelson, page 265; in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon, page 123. Marked in script, Cantini. Mary Lamberger 1960 WQED Campaign. Pendant measures 2" with the chain measuring 16". Brooch measures 2-1/4", disc is 1-3/8"-5/8". Screw back style earrings measure 7/8". Excellent Condition. #2751, $350.00  Pendant Brooch Earrings |
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VIRGIL CANTINI | EARRINGS, ENAMEL OVER COPPER. Acclaimed
for
his work in enamel in Time magazine, 1953, and a professor in the Henry
Frick Fine Arts department of The University of Pittsburg. He is referenced, and his work is included in, Modern Jewelry 1930-1960, the Wearable Art Movement, pg. 228, by Marbeth Schon; in the Long beach Museum of Art exhibit, and catalogue, Painting with Fire, by Jazzar and Nelson, page 265; in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon, page 123. These earrings are Shaded Blues with subtle pink design elements. French clipback style. Marked in script Cantini. Measure 3/4"; clips an additional 3/4". Very Good Condition. #2880, $150.00  |
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VIRGIL CANTINI | EARRINGS, ENAMEL OVER COPPER. Acclaimed
for
his work in enamel in Time magazine, 1953, and a professor in the Henry
Frick Fine Arts department of The University of Pittsburg. He is referenced, and his work is included in, Modern Jewelry 1930-1960, the Wearable Art Movement, pg. 228, by Marbeth Schon; in the Long beach Museum of Art exhibit, and catalogue, Painting with Fire, by Jazzar and Nelson, page 265; in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon, page 123. These earrings are Shaded greens with a delicate red leaf design. Screwback style. Marked in script Cantini. Measure 3/4" Very Good Condition. Tiniest bit missing on back near edge. #2672, $150.00  |
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JOSEPHINE CATANZARO |
CUFFLINKS, Minimalist
design with two wire arcs placed on a curved square, resembling eyes. Josephine and Antoinette were a sister team who lived and worked together throughout their lives. They taught jewelry making, exhibited, and owned a shop in Buffalo New York, The House of Craft, where respected craft artists placed their work. Josephine's work (Jo) tended to be clean and bold. They are referenced, and their work is included in, the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon, page 124. Measures 3/4" x 3/4". Signed Jo Catanzaro Very Good Condition with a light patina. #3055, $150.00  |
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MAXWELL CHAYAT |
BROOCH, A nice example of
Chayat's movement within form; the arching thicknesses add to the
sculptural effect. He exhibited with the artist in the Walker Exhibition of 1955, and had numerous one man exhibitions in New York and the East Coast. Marked Chayat (arched) Sterling Measures 2-1/2" x 3/4". Excellent Condition with a mild patina. #2919, $225.00  |
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MAXWELL CHAYAT |
BROOCH, Very unusual brooch in
enamel referencing Abstract Expressionist painting, with drizzled
enamels and accidental looking drops of fused glass He exhibited in the Walker Exhibition of 1955, and had numerous one man exhibitions in New York and on the East Coast. A large portion of his artistic efforts address Jewish and religious themes with commissioned works of religious objects. Most of his works were in silver and gold. This enameled brooch, takes exception to his normal modes. Marked Chayat on the pin back Measures 2-1/2" x 1-1/2" Very good condition. #2816, $325.00  |
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MAXWELL CHAYAT |
PENDANT. Tree branch design double
layered casting technique. Two layers are soldered together at the bail
with each layer oxidized to create additional depth. He exhibited in the Walker Exhibition of 1955, and had numerous one man exhibitions in New York and on the East Coast. A large portion of his artistic efforts address Jewish and religious themes with commissioned works of religious objects. Most of his works were in silver and gold. This enameled brooch, takes exception to his normal modes. Marked Chayat on the pin back Measures 2-1/2" x 1-1/2" Very good condition. #3059, $250.00   |
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KURT
ERIC CHRISTOFFERSEN for INTERNATIONAL SILVER |
BROOCH, A lovely wheat design
executed with delicate precision. Elegance in lines and
form are the hallmark of Christoffersen's designs. Eric was born in 1926 in Denmark. His training included goldsmith work for the Jewelry firm, A. Michelson and he graduated from The Academy of Arts and Crafts in Denmark where he became fluent in Goldsmith and Sliversmith techniques. He relocated located to the United States in 1949, and by the mid 1950s, was associated with the International Sterling Craft Society and The International Silver Company. Later in his career, he was associated the Artistic Wire Production Company and a Scandinavian Art Gallery in the Virgin Islands. Eventually he returned to his native County. Marked I joined KC and S Measures 3" x 3/4" Excellent Condition. #2824, $195.00  |
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ELLA CONE |
STERLING SILVER BRACELET, c.1950s-60s.
An intricate design of florals/leaves/vines; nice 3-Dimensional depth,
at first appearing to be repousse, but cast, with nice weight. Ella Cone had worked in NYC, and also had a shop in Boston, where she presented Modernist as well as traditional designs. Marked 'ELLA CONE STERLING XTC'. Measures 6-1/2" x 5/8". Excellent Condition. #2708, $250.00  |
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BETTY COOKE | SILVER NECKLACE. Tubes and 5
circles; simple, with no bombast? Yes. But, this necklace incorporates
so much of her individuality that brings the wearer close to her art. Betty Cooke was fond enough of this theme that she included a sketch in her June 1995 Retrospective, Design.Jewelry.Betty Cooke. She is referenced, and her work is included in, Modern Jewelry 1930-1960, the Wearable Art Movement, by Marbeth Schon; in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon, numerous pages. Marked Cooke Sterling. Measures 36" long, discs are 1" and 3/4". Excellent Condition. #2948, $795.00   |
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BETTY COOKE | SILVER NECKLACE. Hard
wire collar with and innovative closure. The wire is bent in a large
hook that latches around the circle in the front of the neck. Betty Cooke Circular motif is one she finds endless opportunities for exploration with whimsy and elegance. She has participated in many Modernist Exhibitions and is the recipient of numerous awards including the De Beers Diamonds Today Award. She continues to create jewelry in her Baltimore Shop. Her working process starts with sketches, letting an inspiration germinate into to many variations until one idea is selected for completion. A sketch of this necklace design can be seen between plate no. 3 and 4 in her June 1995 Retrospective catalogue, Design.Jewelry.Betty Cooke. She is referenced, and her work is included in, Modern Jewelry 1930-1960, the Wearable Art Movement, by Marbeth Schon; in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon, numerous pages. Marked Cooke Sterling. Measures 16-3/4", disc measures 7/8". Very Good Condition. #3019, $550.00   |
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BETTY COOKE | SILVER PENDANT. Although a pendant
with circles attached to a thin post, the pendant hangs from a delicate
leather cord in a mobile effect, with circles lightly floating in
space. She is referenced, and her work is included in, Modern Jewelry 1930-1960, the Wearable Art Movement, by Marbeth Schon; in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon, numerous pages. Pendant measures 2-1/4" long. Cord is 32". Excellent Condition. #2636, $450.00  |
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ANNEMARIE DAVIDSON |
PLATE. Trademark design. Large
yellow and small round orange cookies, which she called
"Jewels"; incised radiating lines in the enamel form the decorations
for the plate; cookies are raised clear enamel (bubble -ike), in a
single area, Her philosophy was to "create something colorful and decorative in order to make small objects, necessary in the home, beautiful." From an interview in the Cross-Country Craftsman, 1962. An example of a plate, with incised (sgraffito) lines was in the recent exhibition, Painting with Fire Masters of Enameling in America, 1930-1980, and the companion book of the same name, by Bernard N. Jazzar and Harold B. Nelson, pg. 266. Measures 6" Excellent Condition. #3003, $120.00   |
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ROBERT and/or AUDREY ENGSTROM |
EARRINGS, Abstract design with
triangles, orbs, and squiggled lines in red, black, and white enamels
over copper. Robert and Audrey were a team and had a studio-home workshop in Michigan. Robert was on the faculty of Western Michigan University for 27 years. They had two pieces in the Walker Exhibition of 1955, and he was included in the 1959 Walker Exhibition; and they had four works in the recent exhibition, American Modernist Jewelry, 1940-1970, at the Forty Wayne Museum. Examples of their work can be seen in the companion book, Form & Function, American Jewelry, 1940-1970, pg. 104, by Marbeth Schon, and a pair of red enamel earrings, similar to this set, can be seen in the book, Modern Jewelry 1930-1960, the Wearable Art Movement, pg. 143, by Marbeth Schon. Marked Engstrom in hand etched script Measures 3/4" x 3/4" Very Good Condition. The copper back has some tarnish. #2996, $125.00   |
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THEODOR FAHRNER | PENDANT, 1910-1914, Rounded leaves
and curls
in Silver with a beautiful translucent Chrysophase oval center stone
and Mother of Pearl
circular accents. Marked with TF and 800. Measures 2". Very Good Condition. #2469, $795.00  |
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THEODOR FAHRNER | ROOCH, September 12,1927- THE BREANDLE
STYLE,
Rectangle design in Mint Green and Sky Blue Matte enamel. The brooch can be seen on page 169, in a drawing from the Fahrner Pattern Book, in the book, Theodor Fahrner Jewelry..between the Avant-garde and Tradition by Hase-Schmundt, Weber, and Becker. Marked TF 935. C closure. Measures 1-3/8" x 3/4". Very Good Condition with a dark patina on the back. #2457, $495.00  Pattern Book Drawing  |
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FELICE |
BRACELET, Bangle
style bracelet with two swivels behind the center motif that move as
hinges to expand the bracelet to a larger size for either ease of
placing the bracelet over the hand, or to fit a large wrist. Round
Lapis stone in a bezel setting. Little is known of the history of Felice, but is believed to have worked in New York City in the 1950s. Another example of Felice's work can be seen at the San Francisco exhibition: Continual Exploration The Opening of Macchiarini Creative Design and Metalworks Gallery Macchiarini Grand Opening Marked Felice Sterling Handmade Measures, Center Motif 1-3/4" x 1-1/83/4"; fits 6-1/2" closed to 7-1/2" open. Very Good Condition. #3058, $395.00    bracelet open |
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ELSA FREUND |
BRACELET, Classic Elsa Freund design of
fired clay and blue fused glass, with the stone being surrounded in a
musical flow of swirling silver. Beautiful depth and intriguing
movement make this dynamic jewelry a wearable
art statement. Elsa Freund began experimenting with fused glass on fired clay with her husband in the late 1940s creating artificial stones she named "Elsaramics." Examples of her work can be seen in the books Messengers of Modernism, by Toni Greenbaum, Modern Jewelry 1930-1960 the Wearable Art Movement, and Form & Function, American Modernist Jewelry, 1940-1970 by Marbeth Schon. Signed "Elsa" in script on the back clay disc Currently a comfortable fit at about 7-1/4", but may be adjusted up or down. Stone measures 1-3/4" x 7/8"; front loops measure 1-5/8" high. Excellent Condition. Note: There are minute fractures in the glass are part of the shattered glass and fusing process. #2726, $1,250.00  |
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ELSA FREUND |
PENDANT NECKLACE, Fused
glass on fired clay. The fired clay disc is shattered yellow and black
glass fused to red clay with a faux bezel mounting created with black
enamel. Sterling rods are embedded in the clay base. The pendant hangs
from a long handmade chain. Elsa Freund began experimenting with fused glass on fired clay with her husband in the late 1940s creating artificial stones she named "Elsaramics." Examples of her work can be seen in the books 'Messengers of Modernism', by Toni Greenbaum, 'Modern Jewelry 1930-1960 the Wearable Art Movement', and "Form & Function, American Modernist Jewelry, 1940-1970" by Marbeth Schon. This pendant design is featured in the recent exhibition American Modernist jewelry, 1940-1970, at the Forty Wayne Museum, and is shown in the companion book/catalogue, Form & Function, American Jewelry, 1940-1970, by Marbeth Schon, pg. 20. Signed "Elsa" in script on the back clay disc. Pendant measures a very large 4-1/4" x 4-1/4". Chain measures 28". Excellent Condition with some patina. Note: There are minute fractures in the glass which are part of the shattered glass and fusing process. #3057, $2,500.00    |
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MARY GAGE |
BROOCH, Scimitar, A fine example of Mary
Gage's Scimitar series featuring a bezel set natural Turquoise stone,
beaded handle, and hand-hammered blade. The hammer marks are
interestingly shown in the 'Back PIC' view. Mary Gage, 1898-1993, was a self-taught artist/silversmith that had shops in NYC's Greenwich Village and New England. She is referenced in Christie Romero's Warman's Jewelry, 3rd ed., pgs. 96 & 101, and in Elyse Karlin's Jewelry and Metalwork, pg. 238. Signed 'Mary Gage Sterling'. Measures 2-1/2" x 5/8". Very Good Condition. #2744, $195.00  |
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JULIAN GOODENOW |
STERLING CUFF-BRACELET, A Sleek thick Modernist design. Julian Goodenow is referenced by Armand Winfield as one of the Late 1940s-Early 1950s Greenwich Village artisans, along with Sam Kramer, Ed Wiener, Art Smith et.al, in Marbeth Schon's Modernist Jewelry 1930-1960. Signed 'J. Goodenow' in Gothic font, ss Sterling . Measures 1/4" x 3/16", 2-7/8" wide with a 1-1/2" opening to slide onto the wrist; will fit up to a 7" wrist. Very Good Condition. #3010, $150.00   |
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RAY GRAVES |
BROOCH, Engaging Biomorphic
design. This black stone is left in its natural crystallized
state, cradled in Sterling. The sterling back is in two layers, giving
it a nice three dimensional effect. Ray Graves had his shop in the prestigious Lloyd Kiva Art Center, Scottdale Arizona. He worked in a variety of media and drew inspiration from both Native American and Modernist themes. A very versatile artist, his shop was open from 1959 to 2001. During his illustrious career, his work was known on several continents, high end department stores, and his clients included many celebrities. Information on Ray Graves and an additional example of his work, seen on pg. 169, of Christie Romero's Book," Warman's Jewelry", 3rd Edition. Marked GRA WUN. His mark combines his name, Graves, and a former partners, Berta Wunderlich. Measures 2" x 1-3/8" The stone is in Excellent condition. The Silver is in Very good condition with a slight Patina. This piece may have been a pendant at one time, as the pin back is made of stainless steel, and epoxied in place. #2785, $250.00  |
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HANS HANSEN |
BROOCH and Earrings, A nice example of Hansen's
Scandinavian Modernist boomerang/triangle series, featuring
subtle depth and soft movement. Signed 'Hans Hansen, 925s, Denmark, #113'. Measures a large 3" x 3/4", clip back earrings 1-1/2" x 1/2". Very Good Condition. #2727, $250.00  |
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ADDA HUSTED-ANDERSEN |
STERLING and ENAMEL BROOCH, A
rare find. Very serene design with loverly complimentery shapes. Light
arches contrast square and triangular shapes balanced by blue
enamel patterns. A native of Denmark, she studied in Europe before immigrating to the US. Many of the masters of modernism cite her as a major influence in their jewelry and metalwork. In addition to teaching, she owned her own shop in New York City. Her work was shown in the 1946 First National Exhibition of Contemporary Jewelry, Museum of Modern Art, NY; the 1948 Walker Exhibition; the 1955 Walker Exhibition; and the Aloi's 1954 exhibition in Milan, Italy. She is referenced, and her work is included in, Modern Jewelry 1930-1960, the Wearable Art Movement, by Marbeth Schon, also in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon, numerous pages. Marked with the overlapping AHA hash mark and Sterling. Measures 1-3/4" x 1-1/4". Very Good Condition. Very faint craze in the center enamel section. Must see with a loop. #3014     |
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HURST-KINGSBURY | STERLING BROOCH by Joan Hurst and Jill Kingsbury, a rare
find, c. 1940s-1950s. Contrasting Linear and Biomorphic elements
with oxidized center addresses Mid-century Modernist Abstract Forms. Their work was shown in the 1948 Walker Exhibition. They are referenced, and their work is included in, Modern Jewelry 1930-1960, the Wearable Art Movement, by Marbeth Schon; in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon. Marked Hurst Kingsbury Sterling. Measures 1-7/8" x 1-1/2". Very Good Condition. #2951, $395.00  |
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GEORG JENSEN |
STERLING SILVER CUFF BRACELET, Clean
lines with the linear
outline give this Scandinavian Modernist Design a Tailored Look. Marked with the Georg Jensen Oval, 925S, Denmark, Early Design #85A. Fits comfortably at 6-3/4"; 1-3/8" High. Very Good Condition with very slight surface scratches. #2913, $595.00   |
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GEORG JENSEN HENNING KOPPEL |
STERLING SILVER BROOCH, A fine
example of Henning Koppel's designs using sweeping forms for sculptural
effect. Marked with the Georg Jensen Oval, 925S, Denmark, Design #327. Measures 2-1/2" x 1". Very Good Condition with very slight surface scratches. #2914, $235.00  |
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GEORG JENSEN HENNING KOPPEL |
BROOCH, H.KOPPEL DESIGN. Biomorphic design
in smooth open work. Marked Georg Jensen in a single dotted circle, Sterling Denmark, Design #322. Measures 1-7/8" x 1-1/2". Very Good Condition. #2427, $350.00  |
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WILLIAM B. KERR Art Nouveau |
STERLING SILVER BROOCH. Lovely
design with an idealized Women's face, Flowing hair, and Flowers. Marked with the Kerr 'Axe', Sterling, design #1371. Measures 1-3/4" x 1-1/2". Very Good Condition. #2418, $150.00  |
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WILLIAM B. KERR |
STERLING BUCKLE, Winged Cherub faces are
surrounded by floral garlands in very intricate relief. Signed 'Wm. B. Kerr 'Axe', Sterling, #312'. Measures 2-3/4" x 1-1/2". Very Good Condition. #2729, $295.00   |
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LORRIE KRYZAK |
BRACELET.
Weighty hand made bracelet featuring a Cat with One Eye. The eye is a
bezel set moon stone. Six complex chains are attached to the Cat
closure. Her work is included in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970. Marked L. Kryzak Handmade Sterling Cat head with box clasp measures 1-1/8" x 1". Wrist 6-'7/8" Excellent Condition with some even patina #3064, 395.00    |
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ED LEVIN |
STERLING and GOLD LAMINATE PLATED PENDANT.
Sterling Coiled Hollow tube is wrapped around an arched gold plated
tube creating volume and motion. The cord is drawn through the arch and
is bonded together with a crimped open ended tube. The precious metal laminate process was developed by Ed Levin nearly 25 years ago in his shop in Cambridge. The process is not gold filled or wash, it is created by bonding a sheet of gold to a sterling sheet or tubing. He is referenced, and his work is included in, Messengers of Modernism, by Greenbaum; Modern Jewelry 1930-1960, the Wearable Art Movement, by Marbeth Schon, and in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon. Signed C in a Circle Ed Levin in script SS/14k. We were unable to get a photo of the mark, as it is very small and on the inside of the large loop. Measures approx. 30". Pendant measures approx. 1" x 1-1/2". Very Good Condition. Light metal wear and light patina infers that this pendant is not a recent creation. #2987, $250.00 Side pic 1  Side pic 2  |
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ED LEVIN |
STERLING PENDANT, c.1960s, Bennington,
Vermont. The 'Luristan Ibex' pendant from Levin's Primitive
Collection. "Cast from a stone age magic stone, the face of this heavy
pendant shows not only the ibex with its antlers, but another small
mammal and the hunter himself. The reverse side is an engraved sun by this contemporary craftsman trying to emulate his forebearers." (Quoted from Ed Levin's Bennington, Vermont Catalogue, Primitive Section, reprinted on page 79 of Marbeth Schon's "Modernist Jewelry 1930-1960") He is referenced, and his work is included in, Messengers of Modernism, by Greenbaum; Modern Jewelry 1930-1960, the Wearable Art Movement, by Marbeth Schon, and in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon. Signed Levin Sterling. Measures approx 1-1/2". Excellent Condition. #2552, $250.00  |
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ESTHER LEWITTES |
STERLING SILVER BROOCH, Intriguing
use of contrasting textures, tones, and forms; Very
three dimensional. The artist is featured on pg. 239 in the book, MODERNIST JEWELRY 1930-1960, The Wearable Art Movement, by Marbeth Schon, and in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon. Studied at the Art Students League. Sold her jewelry at Georg Jensen, American House, and Nannie's in San Francisco. Had her own shop on La Cienega Blvd. and Mel Rose Place in LA. Marked Lewittes Sterling Handmade. Measures 2" x 2" Very Good Condition. #2932, $295.00   |
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ESTHER LEWITTES |
STERLING SILVER BROOCH, with Cultured
Pearls, c. 1960s. Interesting movement
using line and form, positive and negative spaces; Very three
dimensional. The artist is featured on pg. 239 in the book, MODERNIST JEWELRY 1930-1960, The Wearable Art Movement, by Marbeth Schon, and in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon. Studied at the Art Students League. Sold her jewelry at Georg Jensen, American House, and Nannie's in San Francisco. Had her own shop on La Cienega Blvd. and Mel Rose Place in LA. Marked Lewittes Sterling. Measures 2" x 1-1/4" Very Good Condition. #2912, $245.00  |
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